Macrosystem Bogart SE Ver.2 User manual Bedienungsanleitung PDF herunterladen (Seite 56)

100

Chapter 4

Note: A stronger increase in some frequencies may possible

reduce the total volume to reduce overmodulation/clipping.

• Copy Channel

As can be seen under Mode, this function copies the left-hand

channel to the right-hand channel or vice-versa, as desired.

• Swap Channels

This function interchanges the left-hand and right-hand channels.

• Sound proles offers proles specically suitable for classic,

jazz, rock, pop and dance music.

• Sound control is used to adjust bass, mids and treble.

• Volume

Use this function to increase or reduce the volume for the

audio sample in question from -20 to 6 dB.

• Volume & fades is used to normalize the volume with selecta-

ble fade in and fade out times. The level has a range between

-48db and 0db. Set the slider to 0 db and the music piece will

be raised to the maximum possible volume without clipping. If

you set a negative volume, the music will be quieter than the

maximum level. This does not necessarily reduce the volume

by a particular level, but instead changes it to a certain level.

Note that even if you apply the same normalization, some au-

dio may still "seem" to have a different volume. This is subject

to differing dynamics that aren't affected by this ﬁlter.

• Volume LR

Use this function to adjust the two channels (left and right) of

an audio sample separately. Here too, you can select within

a range from -20 to 6 dB. Mono switches the stereo signal to

mono.

• NOP

This function cannot be used to make any changes to your

audio sample. As with the image processing effects, it is used

by MacroSystem for internal debugging.

• Mute

This function mutes either the left-hand and/or the right-hand

channel as desired. In addition, you can also deactivate the

function using the `---´ button so that the audio track is only

muted for a speciﬁc period of time and so that you need not

remove the effect.

• Surround

The surround effect is used in conjunction with a surround

receiver or ampliﬁer to assign the sound of an audio sample

to a certain channel, i.e. to a certain loudspeaker. It can be

used to create interesting acoustic impressions, in particular

during audio mixing with commentaries. On a normal mono or

stereo television set, surround audio is reproduced as „ordi-

nary“ audio, i.e. without surround effects, through a single or

two loudspeaker(s). A ﬁlm containing surround effects is thus

suitable for playing over any set. Once the surround effect has

been selected, the following options are available:

• front left

Sound is played through the front left-hand loudspeaker only.

• front centre

Sound is played through the front centre loudspeaker only.

• front right

Sound is played through the front right-hand loudspeaker only.

• rear

The sound is played through both rear loudspeakers.

• rear left

Sound is played over the rear left-hand channel only. This is

possible only with a receiver/ampliﬁer which supports Pro

Logic II (trademark of Dolby Laboratories). Without Pro Logic II,

sound is played simultaneously over the two rear channels and

the front left-hand channel, creating an effect which is similar

but not as clear.

• rear right

Rear right functions in a similar manner to rear left, but for the

right-hand rear channel.

In all cases, a mono audio sample is ﬁrst generated from the

original stereo sample, as playback is ultimately through a

single loudspeaker only.

• Sample -> Scene

Clicking on the Sample -> Scene button creates a video se-

quence with black background from your audio sample, which

appears in the scene bin. You can use this video sequence as

a basis for further video operations (e.g. insert editing). This

function can greatly simplify audio-based editing.

• Copy Sample

Clicking on the Copy Sample button creates an identical copy

of the the previously clicked sample in the list of audio sam-

ples on the right. This function is useful when you wish to use

both the original material and a modiﬁed version. The copy

appears in the samples list with the same name as the original,

but is identiﬁed with the sufﬁx .K (e.g. A1.K).

• Clipboard

If your system supports this function, you can place the audio

sample onto a clipboard. Select the Clipboard to add samples

to it or to load samples into the current project.

The top of the screen has a list of all samples found in the

Clipboard. This list will be empty the ﬁrst time you see it.

The following options exist:

• Add current sample: The sample currently selected is added

to the Clipboard.

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