Macrosystem Bogart SE Ver.2 User manual Bedienungsanleitung PDF herunterladen (Seite 27)

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Bogart SE 2 user manual

scene is to be added to a previous animation (using the scene

bin selection “Choose scene”), or if you want to create a totally

new scene. Deﬁne the number of frames per second to be

recorded. As a rule of thumb, animations usually use 3 to 10

frames per second. Fluid animations can be achieved using

about 8 to 10 recordings per second.

The “Display” button changes the live image: “Live” shows you

the currently ﬁlmed picture from the camera, whereas “Loop”

plays the last few single frames and the new camera image.

This is useful for checking if the new image suits the animation

so far.

(4) The "Time" slider is activated by the modes Time and

Photo. The Time mode allows setting the duration for the still

scene up to 100 minutes.

In Photo mode you can set the duration of the still scene up to

one minute. You can always stop recording with the stop but-

ton, regardless of the time that has been set.

(5) When a new scene is recorded, the system will automatical-

ly name it (S1, S2 etc.). Its name is displayed under the record

button. Clicking on the name brings up the keyboard which

allows you to give scenes the name you choose.

(6) This ﬁelds shows you how long the recorded scene is.

(7) The ﬁeld Rem. shows you how much time remains, mean-

ing how much video can still be recorded. This is not displayed

during recording; it is switched to a smaller display. This

amount is an estimate. The system calculates the remaining

time on the basis of the level of detail of the material already

recorded. The value is not recalculated until the current record-

ing is ﬁnished. If the quality settings change, the actual space

may be slightly more or less than this estimate.

(8) Just like the video settings, this menu is superimposed over

the video. You can see the video during recording and thus

always decide whether you want to digitize a sequence or not.

The symbol at the lower left with the two triangles moves the

panel to the upper edge. This is useful if the panel happens to

be covering important parts of your material.

(9) If you don't need this menu during recording (e.g. DV

control) then you can minimize it with this button to a much

smaller panel. Then the only buttons available are the buttons

described under (8) and the button to return the normal size

record menu.

(10) "DV control" is done with these ﬁve buttons. You can

directly control the connected DV device through the i-Link

interface. Please note, however, that not every DV device is

compatible, but you will ﬁnd that most of them are.

Seen from left to right, the buttons are used to: stop the re-

corder, play, pause, rewind, and fast forward.

Rewind and fast forward have three different effects. Fast

rewind or fast forward results if the button is pressed while the

recorder is in stop mode. Slow rewind or slow forward results

if the button is pressed while the recorder is playing. Clicking

the button while the recorder is in pause mode causes move-

ment of a single frame backward or forward.

(11) The four menu symbols bring you directly to the Edit,

Record/Edit, Video settings, and to the Main menu screens.

4.7 Editing

This screen is used for most of your editing work, and for se-

quencing of trimmed scenes. This is the most important menu.

The menu can be split in two different proportions which will

depend on the selected screen resolution. Resolutions higher

than 1024x768 pixels will result in a slightly different edit bin

screen section. All the buttons described here are of course to

be found in both view types.

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(1) Here you see the storyboard. This is a tool that has been

used since movies were invented. The idea is to clearly lay out

all the scenes of a production in order to more easily imple-

ment editing principles. A single frame, (the ﬁrst pictures of a

scene), are used as symbols ("thumbnails") to represent the

scene.

A glimpse at the storyboard allows you to grasp the whole

story without having to review all of the material. Traditionally,

the storyboard was a large board composed of hand-drawn

pictures.

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