Macrosystem Bogart SE Ver.4 User manual Bedienungsanleitung PDF herunterladen (Seite 70)

Chapter 4

Should you decide not to insert the sample, simply click the

right trackball button once.

Freely moving audio samples

In addition to the existing possibility to move sound samples

inside a sound track (Range button), it is now also possible to

move them around freely.

In order to do this, you should click on the little button at the

center on top of the sample you want to move. This will open a

menu in which you can select what you want to do, the sample

menu. Select the ﬁrst option “move free” (we’ll talk about the

other options later). The sample is the removed from the track

and you get a different pointer, the one that was described

previously when we were talking about inserting new samples.

It will also behave the same way as described previously. You

can now move the pointer and insert the sample somewhere

else.

Click on the right button to cancel this procedure - the sample

will now return to the location where it was before. Samples

that have been trimmed, do not change when they are being

moved around. Should you want to lengthen a sample that had

previously been shortened (automatically), you should use the

Range function.

Audio samples

The upper half of the view contains the sound curve of the

recording or the sound sample. The lower half displays the

sound envelope of the samples. This is where the changes are

carried out, by setting points.

Note: These new type of sound view is only available in the

timeline view.

Audio that has been inserted, usually no longer has to be

calculated. When played, it is played the way it sounds when it

is mixed with the other sound tracks. Only when sound effects

such as tone control and surround are used must the affected

parts still be calculated. The sound must also be calculated for

export via Firewire or for DVD burning, since only one sound

track can be used with these media.

Sample menus

You can see a menu icon in the middle of the active (clicked

upon) sample. Use this to access additional sound editing

functions. You should click on the sound sample you want to

work with. This will call up the corresponding menu.

increases the display of the others and makes it easier to work

with them. It is therefore advisable to deactivate unused tracks

or tracks on which you are currently not working. Hidden

tracks remain active and will be taken into account when you

play or ﬁnalize your work.

8. The upper part of this output ﬁeld contains information

about the active sample. In addition to the name and the

length of the sample, the sound volume is also displayed, if it

has been changed.

The lower part of the ﬁeld contains also several bits of informa-

tion. This is where you will see the time code during playback,

the position of a sound sample while you are moving it and

when you change the sound envelope, it will contain its level

and position.

Inserting sound samples

Use the “Insert” button to insert new samples from the bin

(music, comments, noise) in one of the sound tracks.

Click on this button to open the bin. Select a sound sample

and conﬁrm by clicking on OK. The window closes and you get

a different pointer. You now no longer only move the red arrow

over the screen, but also a stylized sound sample. (The length

and the look do not correspond to those of the selected sound

sample).

When you move the pointer over one of the sound tracks, it will

automatically be activated. When you leave the sound track

area, left or right, the timeline will automatically scroll in the

corresponding direction.

The sound sample can only be inserted in a free spot if you go

to that location and click on the left button. The current inser-

tion position (left side, arrowhead) is indicated right in the info

ﬁeld. At the top right of the preview image, there is an indica-

tor that shows the current image position of where the sound

sample currently is.

When you insert a sample, its start will stop against the end

of other sound samples or the yellow guide line. This way, it

becomes a lot easier to accurately position the sample. When

you drop a sound sample on top of another one, it will be posi-

tioned directly behind it, as long as there is room. This makes

it a lot easier to put several samples behind one another.

When a sample is dropped in a free spot which is shorter than

the sample, the sample will automatically be trimmed at the

end.

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